Dissertations on Inflammation. ... by John Burns, ... Volume 2 of 2

Publisher Marketing: The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Medical theory and practice of the 1700s developed rapidly, as is evidenced by the extensive collection, which includes descriptions of diseases, their conditions, and treatments. Books on science and technology, agriculture, military technology, natural philosophy, even cookbooks, are all contained here.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT018483Glasgow: printed by James Mundell, for John Murdoch; Mundell and Son, and W. Mudie, Edinburgh; and for Longman and Rees, and J. Johnson, London, 1800. 2v.; 8 Contributor Bio:  Burns, John John M. Burns john Burns initial work was as an illustrator for Junior Express and School Friend. During the 1960s, Burns worked on TV Century 21 and its sister magazines, including the Space Family Robinson series in "Lady Penelope." For a while he drew daily comics strips for newspapers The Daily Sketch, The Daily Mirror and The Sun, including The Seekers, Danielle and, for a period succeeding Enrique Romero during 1978-79, Modesty Blaise. He moved on to illustrate TV tie-in strips for now-defunct title Look-in, always scripted by Angus P. Allan, Burns was already well known by the start of the 1980s. He also worked on the title story for Countdown. It was when he made the crossover to 2000 AD, along with fellow Look-in alumni Jim Baikie and Arthur Ranson, that his position in British comics was cemented. Burns began by working on Judge Dredd, a strip to which he continues to contribute to this day. By his own admission (in a 2004 interview with David Bishop in the Judge Dredd Megazine), Burns does not enjoy drawing science fiction strips, and the look of Judge Dredd is one that he finds particularly unpleasant to draw. In 2007, Burns began working on the Nikolai Dante strip. He has also co-created (with Robbie Morrison) a contemporary adventure strip, The Bendatti Vendetta, for the Megazine, this is unique for the title in having no science fiction or fantasy elements at all. Burns is still very active as a painterly type of illustrator today.